Deconstructing Classical Arabic Music...

I grew up listening to Classical Arabic music, and of course, as a particularly curious boy, I constantly asked annoying questions... Questions that were really impossible for my parents to answer and explain:
- What is a "mouwwel"?
- Why do they have to sing it before the song, can't they start singing right away?
- Why does the music slow down and then goes fast again?
- Why do they repeat the same word and sentence over and over again?
- Why are the songs too long?
- Are they sad?
- What is she singing about?
- What does it mean when they say "...."?
All these were legitimate questions for a ten year old to ask. But the question I posed that baffled me most, and actually still does is:
- Why is this man singing to another man? (or at least so I thought)
The "loved one" (al Habib), for the sole purpose of language, and in order to maintain the structure and the rhythm of the verse in a poem, is used for both male and female subjects (to the discretion of the poet). Therefore, in a dogmatic society where homosexuality is strongly frowned upon, any Man can sing to another Man the most expressive of love songs, and still the crowd exalts in ecstasy: "ALLAH!"
Hypocrisy again?
Music reconciles, and breaks all rules… it is therapy…
photo source: http://www.holylandmarket.com/p/n/Music/Arabic/Fairuz2.jpg
3 Comments:
Very well said.
I had those same questions growing up. Actually, I still have those questions now. Meanwhile, hypocrisy lives on, and we battle it....
i want to see your erotic voyeuristic bush
xxx
ehemm... yes heather I will soon post something about the erotic voyeuristic "garden" I designed...
a post on Jardin Nu comme "vert" will come shortly.
:P
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